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URCHIN Impossible Circus
URCHIN Impossible Circus
Ithaca, NY, United States
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Other Projects by CODA
URCHIN Impossible Circus
Ithaca, NY, United States
Firm
STATUS
Built
YEAR
2016
SIZE
0 sqft - 1000 sqft
BUDGET
$0 - 10K
Photos
Built from 360 basic plastic deck chairs, Urchin aims to question the role of the everyday object: from the typical use that ‘affords’ sitting to an aggregation that becomes skin-like: the object’s features are no longer understood in terms of their use (legs, arms, seat) but in terms of their form (spikes, curves, voids) as, due to their rotation away from the ground, they lose their relationship with the human body.
Dipping down in response to the statue of AD White, the pavilion allows the seated figure of one of Cornell University's founders to enter into the (impossible) circus.
No chairs were harmed in the production of Urchin, and they will be returned to circulation afterwards. Urchin plays with the question of usefulness and uselessness by the manipulation of the simple chair, and consequently our perception of the chair and the connection between our bodies, the chair’s components and their orientations. The question of use as a primary perceptual phenomenon is a product of James J. Gibson’s Theory of Affordances in his Ecological Approach to Visual Perception. The project aims to provoke the questioning of usefulness and perception from the scale of the individual chair unit to the scale of the pavilion.
CODA
Caroline O’Donnell / Chris Morse / John Lai / Juan Carlos Artologaza, with thanks to Basak Akman / Zahid Alibhai / Kun Bi / Emma Boudreau / Isabel Branas / Mwanzaa Brown / Sarah Bujnowski / Kun Chen / Stephen Clond / Jacob Cohen / George DiStefano / Gary Esposito / Aurelie Frolet / Ramses Gonzalez / Yue (Lancer) Gu / Jose Ibarra / Ellie Krause / Mark Leskovec / Mark Yu-Chen Lien / Lauren Lochry / Lingzhe Lu / Xiaoxue (Iris) Ma / Alexandre Mecattaf/ Jamie Mitchell / Brad Nathanson / Sophie Nichols / Travis Nissen / Ye Chen (Daniel) Park / Leroy Patterson / Max Piersol / Zelmira Rizo-Patron / Alireza Shojakhani / Alex Terry / Haoran (Henry) Wang / Derek Yi / Linjun Yu / Maggie Zou. Special thanks to: Martin Fields Miller / Cornell Architecture Department / Cornell College of Architecture, Art, and Planning / The Home Depot.
Dipping down in response to the statue of AD White, the pavilion allows the seated figure of one of Cornell University's founders to enter into the (impossible) circus.
No chairs were harmed in the production of Urchin, and they will be returned to circulation afterwards. Urchin plays with the question of usefulness and uselessness by the manipulation of the simple chair, and consequently our perception of the chair and the connection between our bodies, the chair’s components and their orientations. The question of use as a primary perceptual phenomenon is a product of James J. Gibson’s Theory of Affordances in his Ecological Approach to Visual Perception. The project aims to provoke the questioning of usefulness and perception from the scale of the individual chair unit to the scale of the pavilion.
CODA
Caroline O’Donnell / Chris Morse / John Lai / Juan Carlos Artologaza, with thanks to Basak Akman / Zahid Alibhai / Kun Bi / Emma Boudreau / Isabel Branas / Mwanzaa Brown / Sarah Bujnowski / Kun Chen / Stephen Clond / Jacob Cohen / George DiStefano / Gary Esposito / Aurelie Frolet / Ramses Gonzalez / Yue (Lancer) Gu / Jose Ibarra / Ellie Krause / Mark Leskovec / Mark Yu-Chen Lien / Lauren Lochry / Lingzhe Lu / Xiaoxue (Iris) Ma / Alexandre Mecattaf/ Jamie Mitchell / Brad Nathanson / Sophie Nichols / Travis Nissen / Ye Chen (Daniel) Park / Leroy Patterson / Max Piersol / Zelmira Rizo-Patron / Alireza Shojakhani / Alex Terry / Haoran (Henry) Wang / Derek Yi / Linjun Yu / Maggie Zou. Special thanks to: Martin Fields Miller / Cornell Architecture Department / Cornell College of Architecture, Art, and Planning / The Home Depot.
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